Alright, now that I have a few playing sessions on these, I feel like I can give them a full review of this instrument (highlights, lowlights, etc.). Full disclosure: I am a huge fan of Roddy’s pipes, but I’ll do my best to be as objective here as I possibly can.
To save time, I won’t go much into detail of the unique features of this bagpipe, which you can read about in my previous post so you know what I’m talking about as far as that’s concerned. Also, for reference, my full test setup was as follows: Ross suede bag, tube trap, Kinnaird Edge drone reeds.
So let’s start off with the cellulose polymer lined drones and the silica cartridge stocks mentioned prior. How well do they really work? The answer: very well indeed. As mentioned prior, I completely removed my canister drying system and replaced with just a simple tube-style water trap. I am an oral firehose, so some kind of canister or dessicant system is a must for me, so reducing to just a tube trap was a real torture-test of the moisture resistance of this bagpipe.
After an hour long session of playing, I disassembled the bagpipe and noted the following: 1) absolutely no visible condensation on the drone reeds, and 2) only the slightest bit in the drone bores. There were no visible beads in the bores, but the polymer lining appeared to be slightly wet. Nowhere near enough to condense on the surface and dribble down into the drone reeds to cause tuning or stability problems. Though my tube trap was totally full and I dumped about a shotglass worth of water out of it, the silica and polymer did an excellent job of removing the rest. I’m so impressed I’ve decided to also just run my ABW set out of the silica cartridge stocks for the superior moisture control, thus removing the need for a bulky, heavy canister.
Drying out the stock cartridges couldn’t be easier – simply remove them from the instrument and allow them to air dry naturally. For quicker drying, a hair dryer on medium heat can be used for 20-30 seconds. You do not want to microwave these the way you would a canister system, for it could distort the shape of the cartridge and not allow it to be reinserted.
So we’ve established that this bagpipe does have superior moisture resistance, better than many wooden bagpipes I would imagine and definitely better than every other Delrin bagpipe out there. So what about the tone and air efficiency? Concerning air efficiency, it’s got the same air efficient profile of my ABW MacLellan, so I noticed no difference there (it surprised me initially when I got my first MacLellan how little pressure was required to produce a superior sound).
Tonally speaking, this bagpipe is a total winner. It lives up to the claim of sounding more like a wooden bagpipe. There isn’t any of the harsh, brassy, metallic tone that’s often found in all-Delrin bagpipes. The cellulose polymer lining does a fantastic job of tempering that, giving a more natural, wood-like tone. Compared to my ABW set, the drones aren’t quite as loud, but have more than ample presence. Maybe Robertson-esque or Lawrie-esque is how I would describe them (not quite as loud as a classic Henderson, but not as subdued as a classic Glen, MacDougall, etc.).
The bass drone features a great depth and richness of sound, which are complemented by warm, ringing, but not bright, tenors. The blend is steady, seamless and brought out many rich, ringing harmonics in the three chanter/reed combinations I tried with these pipes. Those combinations being: McCallum McC2 solo poly w/Husk reed, MacLellan standard solo delrin w/Apps G3, Dunbar/JM Aurora solo poly w/Troy McAllister reed, all 3 the same strength (about 23-24″ H2O – very light but necessary for me). The drones went well with all the chanter/reed combinations, and save for some adjustment of the tuning screws to pitch each on the tuning pins, I didn’t have to touch the reeds. Of course, each chanter/reed combo retained its unique tone and pitch, as to be expected, but all were a great blend. Though all chanters tested were solo chanters, I’m sure they would go equally well with a band chanter.
My preference was the JM, but that’s with any setup as it is slightly lower-pitched than the other two, which is my liking (probably the lowest pitched solo chanter around – Jim McGillivray and Dunbar did a great job designing it and it sounds fantastic. It also has a fairly narrow finger spacing making it very comfortable to play).
As far as downsides, there were a few to note, but I already knew these things going into it. The first thing to note is the weight. Delrin is a fair bit heavier than wood, and the pipes are noticeably heavier than my ABW set in the same drone profile and with very similar adornments. However, removing the canister system negated this effect and actually resulted in a slightly lighter setup than my ABW set with canister. The other is the blowpipe, which seems to have a small-ish bore and is slightly restrictive. In its place, as I have for the past several years, I play an aftermarket blowpipe from Peter Crisler, which is wide-bored, adjustable, and has absolutely no restriction whatsoever. Lastly, and this is very minor, but the cartridge stocks have a rather large outer diameter to accommodate the cartridge. This can make fitting to certain pipe bags with grommets/collars a bit of a challenge. I had to work to get them into my Ross bag, and I’m sure a Bannatyne or Canmore bag would be an even greater challenge.
All in all, color me impressed. Roddy really has elevated the Delrin bagpipe to heights beyond any other before it. Not only is it more moisture resistant, the sound is virtually indistinguishable from a wooden instrument, while retaining the durability and resilency of Delrin that make it the ideal material for playing extreme heat, cold, wet, dry, etc. environments that would likely damage a wooden instrument. Sure, there are production Delrin instruments from other manufacturers that are half the price or less depending on decoration, but the extra cost and wait is well worth it for a superior instrument.
I highly recommend these pipes.
PS: I tried to capture a sound clip, but I don’t have any professional recording equipment and my phone and computer mics were overpowered by the sheer volume. I’ll try to get one sometime if I can get some better recording equipment.